DUNN M.: DJANGO'S RHYTHM DVD

Descrizione

In the world of Gypsy Jazz, the original Quintette of the Hot Club of France achieved an energy output seldom equaled or surpassed for 7 decades or so. Django wanted to have two rhythm guitars behind him when he soloed to give him a full sound. Then rappelli soloed, Django would interject himself between Grappelli and the rhythm guitar section. From this vantage point, he would "push" Grappelli with a series of well placed shots, shuffles, and turnarounds that would have the effect of driving thp to a greater energy output as the song approached its conclusion. In this DVD, the classic 4-to-the-bar rhythm is broken down into four separate unsable styles. After that, Django’s syncopated rhythm shots are analyzed and presented by example fromple backbeat to 2-bar long syncopated strums. My own philosophy is that the rhythm guitar section is the most important component of the Gypsy Jazz group. The rhythm guitar should be in a position to drive and not follow the group.